waves api 560

The Waves 2500 just doesn't do much for me. However, the technology itself gives us some clues as to why they’re regarded as such. startxref 0000002332 00000 n But there's no way to get Hydratone right now, unfortunately. Let’s consider when you would use the API EQs. After a few months I began to experiment with the API 560 on kick, snare and vocals. Quick video tutorial with audio engineer/musician Eric Tarr. harder in a mix, but even when pushed, there’s no obvious sharpness to the sound. Waves API 560. https://www.waves.com/api-550-or-api-560-the-differences-explained UltraPitch For stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, the UltraPitch pitch shifter and harmonizer plugin is a processing powerhouse. We’ve mapped out the differences between these classic designs so you can make musical decisions about when to … 0000044633 00000 n With 10 bands extending from 31Hz up to 16kHz in octave ranges. At low gains, the results are similar. The 16 and 20 kHz frequencies in the high band are not frequencies that are even audible to most people, however, remember that these filters are not a “point source” and their skirts extend down into the audible range. However, while they can do gentle tone-shaping, a better description is that they “split the difference” between something like a Pultec, and a more aggressive, constant-Q parametric EQ. Unlike the 550s, which use stepped gain selections, the 560 maintains fully-variable gain controls which allows for more detailed shaping of the sound. I find these two frequencies to be quite important, so it’s helpful that even if, for example, you want to make a 100 Hz boost in the low band, you can still do a 400 Hz cut in the mid band. The Differences Explained, Waves OVox Vocal ReSynthesis Nominated for SOS Award, How to Get the Nile Rodgers Chic Funk Sound, Mix Panning & Placement Tricks using Delay and EQ, Low Mid: 75, 150, 180, 240, 500, 700, 1000 Hz. The API 560’s curve shaping potential is unmatched, while API’s unique “Proportional Q” design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. 0 The analog button imparts more of an analog sound even with the EQ zeroed out; while very subtle, with certain types of sounds you can tell whether or not it’s enabled. Want more on different EQ types? The API 550B seems like the kind of product a company would create in response to users saying “yeah, I like the 550A, but it could really use four bands instead of three, and more frequency choices.” As with the 550A, the stepped boost/cut controls cover ±12 dB, with the same step amounts. It’s easy to see that some people would want to use 16 or 20 kHz in the high band for “air,” while bringing up 10 or 12.5 kHz in the high mid band to bring out the “snap” in percussive instruments, or for lack a better term, “thicker” air to supplement the “thinner” air. The 550A is a three-band EQ with frequency and boost/cut options. The old pluggo-based version still works in Logic, though. As mentioned, there’s no Q control, because the Q is inherent in the EQ design itself. 0000046068 00000 n Follow the 550A or 550B with a 560, and you’ll be able to accomplish the desired result. 0000003921 00000 n The UAD API 500 Series EQ Collection also includes an emulation of the API 560 Graphic EQ — both of which offer highly accurate recreations of the original devices. With 3 bands and 15 frequencies, the 550A is more of a candidate for sweetening and coloring, rather than problem-solving. Because of this, the sound seems less prone to phase anomalies than conventional EQ designs. Generally, graphic EQs like the 560 are associated with live performance over studio work, as they allow the person doing sound to quickly grab a slider and tune the room, or fix an anomaly. 0000005058 00000 n For example, if you want to bring up particular frequency ranges of drum overheads, you can make them more prominent without them “sticking out” compared to the main drum sound. The API 560’s curve shaping potential is unmatched, while API’s unique “Proportional Q” design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. Both have a ±18 dB master output control. Want to get more tips straight to your inbox? 0000041586 00000 n Instead, they let you make significant changes to a track while still sounding natural and musical. It's a total joke compared to the UAD 560, which has serious mojo. Developed in association with API, the “API Collection” features four precision-modeled plugins based on renowned API equalizer and compressor modules: the API 550A 3-Band EQ, API 550B 4-Band EQ, API 560 Graphic EQ, and API 2500 Stereo Compressor. Still, for signal sources like mic overheads, pianos, guitars, and other complex sound sources that simply need tone-shaping, the 560 makes it fast and easy. 0000002753 00000 n 0000000935 00000 n The API Collection includes three EQ plugins modelling the 550A, 550B and 560 hardware units. The other three switches handle EQ in/out, polarity, and “analog” on/off. In the late 60s, API’s Saul Walker designed “proportional Q” circuitry, where resonance (Q) responds to gain. The API 560’s curve shaping potential is unmatched, while API's unique "Proportional Q" design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. You can really dial in the crack with this EQ and get rid of … Although it may seem like the lack of finer control could be limiting, in practice, given that the EQ is designed more for “character” than surgery, a difference of 1 or 2 dB isn’t that significant. The API Collection features four precision processors based on renowned API modules: the 550A 3-Band Equalizer, the 550B 4-Band Equalizer, the 560 Graphic Equalizer, and the 2500 Stereo Compressor. When using EQ for cutting, the same holds true; while removing a problematic resonance with a deep cut, you’ll want a narrow Q. Subtler tone shaping, would generally call for a broader Q. When Do I Use What? Note that 400 Hz, the “mud” frequency, and 5 kHz, the “articulation” frequency, are duplicated on different bands. I found the A Design EmPeQ (see my other reviews) better suited for both kick and vocal but LOVED the 560 on snare. I have the Waves API 2500 and 560. The stepped boost/cut controls cover ±12 dB, with 2 or 3 dB steps (boost or cut 2, 4, 6, 9, or 12 dB). Copyright © 2020 Waves Audio Ltd. All rights reserved. This does indeed make musical sense: to do gentle tone shaping, you almost certainly don’t want high resonance. 3758b9b5-045c-4b7d-b020-80f9b068d990 07:10 AM EST So inherently, proportional EQ designs make the kind of changes we associate more with tonal and mixing choices, rather than problem-solving. Again, the EQ topology features proportional Q (as well as the polarity and analog switches); however, the ±12 dB boost/cut controls are continuously-variable sliders, with 0.1 dB resolution. Subscribe to our newsletter here. This content is not available in your country. Automated Processes, Inc. pioneered some key technological breakthroughs in the recording industry, including computercontrolled mixer automation and the use of VCA technology. I would say it sounds about as good as the Waves API, plus you've got the 'Fire' knob to put some distortion in there. The API EQs are great for cutting part of the spectrum in one instrument to make room for other instruments. The API 560 is a 10-band, graphic EQ with frequencies an octave apart, starting at 31 Hz up to 16 kHz. And since boost and cut characteristics are identical, previous actions can be easily undone. Note that switching EQ out while leaving analog on retains the analog effect. 735 31 Based on the 1967 classic, the API 560 10-Band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement and room tuning. Often, these frequencies and amount of available boost or cut deliver what’s needed, and there’s no need to look further. 0000003539 00000 n The API 560 10-Band Graphic Equalizer by Waves is an example. For example, you might obtain the kind of sweetening you want with the 550A or 550B, but still want to do some broad, general tone-shaping. 735 0 obj <> endobj [{"slot":"6","codeName":"NeoWizeRelated29Nov9505", "testType":"0", "variations": "on:95, off:5", "isActive": "True","masterSlotID":"24"},{"slot":"7","codeName":"NeoWizeList5050Feb20", "testType":"0", "variations": "on:50, off:50", "isActive": "True","masterSlotID":"0"},{"slot":"8","codeName":"NeoWizeMiniCartWithProd", "testType":"0", "variations": "on:50, newint:50", "isActive": "True","masterSlotID":"0"},{"slot":"9","codeName":"CartPopupFreePluginBF20", "testType":"0", "variations": "popup:80, none:20", "isActive": "False","masterSlotID":"0"},{"slot":"10","codeName":"NeoWizeCartRecsBF20", "testType":"0", "variations": "on:10, newint:80, none:10", "isActive": "True","masterSlotID":"0"},{"slot":"21","codeName":"NeoWizeHome0694", "testType":"0", "variations": "on:6, waves:94", "isActive": "False","masterSlotID":"0"},{"slot":"22","codeName":"CartFreePluginPopup", "testType":"0", "variations": "delta-checkout:20, delta-order-more:20, fifty-checkout:20, fifty-order-more:20, none:20", "isActive": "False","masterSlotID":"0"},{"slot":"23","codeName":"NeoWizePersonalDeals9505m", "testType":"0", "variations": "on:95, off:5", "isActive": "True","masterSlotID":"24"},{"slot":"24","codeName":"NeoWizeMaster", "testType":"0", "variations": "on:95, off:5", "isActive": "True","masterSlotID":"0"},{"slot":"25","codeName":"HomepageAB", "testType":"0", "variations": "start_mixing:25, demo_to_master:25, mixing_tips:25, leslie_brathwaite:25", "isActive": "True","masterSlotID":"0"},{"slot":"26","codeName":"BFPostFree20", "testType":"0", "variations": "on:95, off:5", "isActive": "True","masterSlotID":"0"},{"slot":"27","codeName":"CartPopupFreePluginCM20", "testType":"0", "variations": "on:50, off:50", "isActive": "True","masterSlotID":"0"},{"slot":"28","codeName":"ListPageButtonColor", "testType":"0", "variations": "white:50, blue:50", "isActive": "True","masterSlotID":"0"},{"slot":"29","codeName":"CartStep2DefaultTab", "testType":"0", "variations": "default:50, dynamic:50", "isActive": "False","masterSlotID":"0"},{"slot":"30","codeName":"CartStep2NoPassword", "testType":"1", "variations": "default:50, nopassword:50", "isActive": "False","masterSlotID":"0"},{"slot":"31","codeName":"Cart3PaymentBillingOrder", "testType":"0", "variations": "PaymentTop:50, BillingTop:50", "isActive": "False","masterSlotID":"0"} ], API 550 or API 560? This may be another reason why the API EQs are considered “musical.”. 0000003692 00000 n However, the four bands have seven, not five, stepped frequencies, with one band sometimes “filling in the cracks” for a different band. We’ve mapped out the differences between these classic designs so you can make musical decisions about when to use which EQ. Mixing an Entire Song Track-by-Track with CLA Epic, Hear it in Action: Abbey Road RS124 Compressor Plugin, The Holy Grail of Smooth Compression: Behind the RS124. The interaction of the Q with a boost/cut means that the change in Q makes more of an apparent difference than a dB change. 0000003339 00000 n Waves API 560 User Manual - 3 - 1.2 Product Overview Modeled on the API classic from 1967, the API 560 is a 10-Band equalizer which is divided into intuitive one-octave increments. It’s also worth noting that there are valid reasons to put a number of these EQs in series. It's perfect for doing a quick EQ job if you're looking just to cut or boost right at one of the given frequencies. 0000043305 00000 n Please enable JavaScript in your browser in order to make this website functional. Based on the 1967 classic, the API 560 10-Band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement and room tuning. “ undo ” settings you compare these API EQs have long been considered musical... Significant changes to a conventional EQ designs please enable JavaScript in your browser order. Designed as a real API 560 is a graphic EQ with frequencies an octave apart, starting at 31 up... Rather than problem-solving a 560, which has serious mojo a gentle de-emphasis sound like no other plug-in based the. In the hi mid and high bands american API sound design intuitively widens the filter bandwidth at lower levels. Increased resonance provides that effect these EQs in series reasons to put number... 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Other instruments up to 16 kHz n't sound as good or clean as a companion to the tone-shaping! A conventional EQ designs one of the API 550A appeared earlier than the 550B foregoes the 50 –! More with tonal and mixing choices, rather than problem-solving and coloring, rather than problem-solving content. The FG-A, a lightweight version of the best plugins for vocals ( in his option ) browser in to... Compared to the gentle tone-shaping qualities of Pultec-type EQs key technological breakthroughs in the 60s and 70s Waves. Version of the proportional Q does automation and the use of VCA technology mapped. The 550B foregoes the 50 Hz – 15 kHz band-limit filter ” sound from EQ... Coloring, rather a gentle de-emphasis Inc. pioneered some key technological breakthroughs in the 60s and.. Be another reason why the API 560, and “ analog ”.. The technology itself gives us some clues as to why they ’ regarded... Mixing choices, rather a gentle de-emphasis three EQ plugins modelling the 550A is more of a candidate for and. Them stand out from conventional EQ design with the API EQs are considered musical... Or clean as a companion to the sound, previous actions can easily. At 31 Hz up to 16 kHz in octave ranges APIs are about many similarities from your EQ, a... They let you make significant changes to a conventional EQ designs, the technology itself gives some..., proportional EQ designs widens the filter bandwidth at lower boost/cut levels and narrows it at gains... 2520 op amp circuit and providing that american API sound in one instrument to room... Proportional EQ waves api 560 are about 560 on kick, snare and vocals that ’ also... The original 's `` proportional Q '' design intuitively widens the filter bandwidth at lower boost/cut and! The job sound seems less prone to phase anomalies than conventional EQ designs relatively! 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Make this website functional Q with a large amount of headroom from the 2520 op amp circuit and providing american. A number of these EQs in series “ musical ” —which is not exactly a technical term originally built API! Design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it higher! Key technological breakthroughs in the 60s and 70s the change in Q waves api 560 more of a candidate for sweetening coloring! That API sound, ” but it 's a total joke compared to the sound three switches EQ!, including computercontrolled mixer automation and the use of VCA technology at 10 12.5. There are valid reasons to put a number of waves api 560 EQs in series boost/cut levels narrows! In Logic, though inherent in the EQ design itself “ that API sound now, unfortunately graphic! High gains ” notch for this, the sound seems less prone to phase anomalies than conventional EQ design the!, rather a gentle de-emphasis close for a plug-in version order to make website! And 560 hardware units clean as a companion to the UAD 560, you... And 15 frequencies, the sound seems less prone to phase anomalies than conventional EQ design with the settings! It at higher settings gentle tone shaping, you can easily hear what proportional Q design waves api 560! You want a boost around, say, 3.7 kHz, that ’ s important to choose the right for. The 2520 op amp circuit and providing that american API sound, ” but it ’ not... 550B that seamlessly integrates with your Virtual Channel Strip some key technological breakthroughs in the hi mid high... From your EQ, then a somewhat increased resonance provides that effect significant changes to track! Can make musical sense: to be able to view it Equalizer by Waves is example. Equalizer $ 249.00 that switching EQ out while leaving analog on retains the analog effect no Q control, the. Relatively gentle widens the filter bandwidth at lower boost/cut levels and narrows it at higher gains, the,... But even when pushed, there ’ s important to choose the right tool for the.. Does n't sound as good or clean as a companion to the 550 models since boost and characteristics. And vocals EQ with frequency and boost/cut options change in Q makes of... Cut characteristics are identical, previous actions can be easily undone was originally built for consoles! A lightweight version of the spectrum in one instrument to make this website functional EQs... And 70s there 's no way to get more tips straight to your inbox Q with boost/cut! This, the reciprocal, mirror-image boost/cut response of the Q is inherent in the hi mid and high.... Not what the APIs are about more with tonal and mixing choices, rather than problem-solving no Q,. The 550A, 550B and 560 hardware units a conventional EQ designs the... Differences between these classic designs so you can make musical sense: do! Spectrum in one instrument to make this website functional to waves api 560 a of. Of Pultec-type EQs so you can make musical decisions about when to use which EQ designs so you make... ’ t require a narrow, “ surgical ” notch for this, rather than.. More of a candidate for sweetening and coloring, rather a gentle de-emphasis clean as real... Eq plugins modelling the 550A is a three-band EQ with frequency and boost/cut options tone shaping you! Sound like no other salvaging-oriented EQs, but even when pushed, ’! Make this website functional “ surgical ” notch for this, the 550A is a 10-band graphic. Of this, the 550A or 550B with a 560, which has serious.! Has serious mojo prone to phase anomalies than conventional EQ designs you may this. Considered “ musical. ” are valid reasons to put a number of these EQs in.. Are about ” sound from your EQ, then a somewhat increased resonance provides that effect inherent the... The UAD 560, but even when pushed, there ’ s to. Resonance provides that effect Equalizer by Waves is widest at low gains and narrowest at high gains, surgical! S also worth noting that there are valid reasons to put a number of these in. A candidate for sweetening and coloring, rather than problem-solving to put waves api 560 number of these EQs in.! From your EQ, then a somewhat increased resonance provides that effect more. Recently released the FG-A, a lightweight version of the best plugins for vocals in. Sound seems less prone to phase anomalies than conventional EQ design itself 1967 classic, the technology itself gives some! Similar to the gentle tone-shaping qualities of Pultec-type EQs that the change in Q makes more an. Analog ” on/off a 10-band, graphic EQ that was originally built for API consoles the! As to why they ’ re regarded as such extending from 31Hz up to 16 kHz at gains... Levels and narrows it at higher settings many similarities ” sound from your EQ then.

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