kunstmuseum basel architect

Kunstmuseum Basel – Ankauf 1975. The new and enlarged museum consists of two buildings that together form a unified presence in the urban space. photo : Novartis There were net gains in exhibition space in the main building too, and room enough for the installation of a bookstore / museum shop and bistro. June 2020. Surprising juxtapositions of material and form define an architecture that seems both archaic and boldly contemporary, characterized by the digital frieze that animates its monumental facades. The supporting wall made of concrete with gray rendering is similarly explicit, as is evident in the door and window reveals. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. The history of the Kunstmuseum Basel dates back to a collection of works by Hans Holbein that the city of Basel purchased in 1661. Not only did this necessitate many ad hoc rehangings, but it also had the effect of decimating the second-floor galleries and gravely impairing the unparalleled tour of Modernism that they might otherwise offer. Then there is the LED frieze combining state-of-the-art IT with a traditional neoclassical frieze like the one that adornes the facade of the museum of 1849 by Melchior Berry on Augustinergasse, which for a long time housed the Öffentliche Kunstsammlung. The extended museum comprises two directly interrelating buildings on opposite sides of the street. The Kunstmuseum Liechtenstein was built by the Swiss architects Meinrad Morger and Heinrich Degelo, along with Christian Kerez. It was designed by Ticinese architect, Mario Botta, and opened in October 1996. The Kunstmuseum‘s new building redefines a prominent location in the heart of Basel. The Kunstmuseum in Basel images / information received 020316, Basel Architecture The main building (opened 1936) and the Kunstmuseum Basel | Gegenwart (opened 1980), which is sited in close vicinity on the banks of the Rhine, are to be complemented by the new building. It frames the intersection, effectively turning it into its own forecourt. Photo Stefano Graziani. This extension consists of a new building built on the area opposite the structure dated 1936. We understand it as neither a repetition nor a copy of the main building, but rather as an emphatically contemporary, forward-looking building capable of accommodating completely new forms of art and the engagement with it. This made the Kunstmuseum Basel the first municipally owned museum in the world. As exposed structural elements, the prefabricated, sandblasted concrete ribs that span the galleries visualize the load-bearing relationship between walls and ceiling. The Kunstmuseum Basel’s treasures include some of the finest art of the Renaissance in the Upper Rhine Valley such as the world’s largest collection of works by the Holbein family as well as masterpieces by Konrad Witz, Martin Schongauer, Lucas Cranach the … Basel Building Photos. The new building was also to become an architectural landmark, symbolizing an innovative new departure both for Basel as a city and for museums worldwide. The enlarged Kunstmuseum Basel (left: new building; right: main building). Earlier efforts to enlarge our architectural infrastructure culminated in the erection in 1980 of one of the world’s first museums of contemporary art on St. Alban-Rheinweg, an annex that was likewise renovated in 2005. Photo Walter Mai. Contemporary Architecture in central Europe. In April 2016, the Kunstmuseum Basel is opening its new building, increasing its exhibition space by approximately two thirds. Nor are there any permanent installations in the pipeline that might stand in the way of a potential “reinvention” of the new building. By using this website you accept our cookie policy Read more Accept Read more Accept Here starts the central staircase of the new building, which echoes motifs of that in the main building: gray, veined Bardiglio marble from Carrara on the floor and rough scraped plaster in a cooler shade of gray on the walls. Kraftwerk Birsfelden – Birsfelden Hydroelectric Power Station Date built: 1955 Design: Architekt Hans Hofmann All the galleries are perfectly proportioned in terms of length, breadth, and ceiling height—this being just as essential to the effective staging of art as the harmonious interaction of floor, ceiling, and wall. Photo Julian Salinas. This extension consists of a new building built on the area opposite the structure dated 1936. From the logistical point of view, the closure of our satellite storage premises promised advantages that museums in big cities, which find themselves having to move their vaults further and further out of town, cannot usually enjoy. Villa Malaparte, Günther Förg, 1983/2005. Designed by the Basel-based architecture firm Christ & Gantenbein, the new building is also a fresh highlight in the city’s architectural landscape. If at all possible, the new building was to be situated in the immediate vicinity of the main building, thus becoming an integral, and indeed assertive, part of its specific urban context. The design was chosen from 23 … Excerpt from Kunstmuseum Basel, New Building, edited by Kunstmuseum Basel, Bernhard Mendes Bürgi, Hatje Cantz Verlag, Ostfildern, 2016. Each  floor of the new building has two exhibition tracts connected vertically by the monumental central staircase. The new and enlarged museum consists of two buildings that together form a unified presence in the urban space. But at the recently-opened addition to the Kunstmuseum Basel, designed by Swiss architects Christ & Gantenbein in collaboration with design group iart, … The Kunstmuseum Basel’s Hauptbau was completed in 1936 based on plans by the architect Rudolf Christ (Basel) and his colleague Paul Bonatz (Stuttgart), two representatives of a conservative modernism. post updated 13 Mar 2020. What makes the Kunstmuseum Basel so unique—its salient characteristic, as it were—is the extraordinary breadth of its collection, which, with works of the very highest quality, spans the period from the fifteenth century to the present day, and is continuously updated. Renovation and Extension Oskar Reinhart Collection 'Am Römerholz', Winterthur - 1995–1998 . The Museum Tinguely is located in the Solitudepark right next to the River Rhine in Basel. The creation of additional in situ storage space, first and foremost a specially air-conditioned area to be set aside for the photography collection that has grown considerably in recent years, was also high up on our wish list. Now both me and you know that Basel has top class buildings designed by international acclaimed personalities such as Frank Gehry or Mario Botta and of course the world-famous Basel-based duo Herzog & de Meuron. Posted on Mon.21.11.2016 Mon.28.11.2016 by katsibox Posted in architecture Tagged architecture, Basel, buidlings, Christ & Gantenbein, Kunstmuseum, museum A new building has been added recently to the architectural map of Basel, the extension of the Kunstmuseum Basel. As a place for the exhibition and preservation of art as well as events, it embodies both a new departure and continuity. Conceptual Fundamentals. Stone: D91 and costum made colour D11, Flensburg format. The Kunstmuseum extension in Basel projects solidity and strength even as it defers to its august progenitor Comprising 50 paintings and a large portfolio of drawings and prints, the Amerbach-Kabinett was an art collection assembled by the Basel-based lawyer and academic, Basilius Amerbach, in the latter half of the 16th century. But you can also discover many masterpieces of the 17th to 19th centuries. It was originally conceived solely for the presentation of the museum’s collections. Kunstmuseum Basel. The quality materials on the inside are matched by the brick facades on the outside, which from ground up pass through a several subtle gradations of gray. Best of Show 2017 The light frieze was co-created by iart’s engineering and design team and architects Christ & Gantenbein. The unusual combination of two materials with radically different connotations generates the distinctive and unmistakable character of our building, in which contemporary technology is used to implement the timeless laws of architecture. The spirit of a world-renowned collection and the unique architecture that houses it combine to activate ON; the first of a new series of live events by the Kunstmuseum Basel. Visibly fronting it, but set back at the edges, is the solid, ten-centimeter- thick plasterboard wall that serves as both substrate and backdrop for the paintings. The new building designed by the Basel-based architects Emanuel Christ and Christoph Gantenbein provides additional space … A folding mass of variegated brick constitutes the confident new addition to the Kunstmuseum Basel, designed by Swiss firm Christ & Gantenbein. Kunstmuseum Basel. It accommodates special exhibitions as well as presentations of art from the collections. Designed by renowned Basel-based architects Christ & Gantenbein, the extension is connected by an underground passageway to the main building across the street. Kunstmuseum Basel | new building. The elements that define them are clearly articulated components; assembled, they generate a tectonics that maximizes the architectural effect of the whole. Christ & Gantenbein is an international practice dedicated to the broad realm of architecture. Museum Tinguely in Basel. The linear LED lighting is built into the concrete ribs in the ceiling, which, besides making for structural clarity, also accommodate the HVAC ducts. Swiss architecture has definitely become my favourite. Behnisch Architekten Text: Bernhard Mendes Bürgi Basel Architecture, Switzerland : Buildings. As a place for the exhibition and preservation of art as well as events, it embodies both a new departure and continuity. With the inauguration of the new building and the reopening of the refurbished main building in mid-April 2016, the Kunstmuseum Basel now has three venues for the presentation of its treasures. The Kunstmuseum Basel’s Hauptbau was completed in 1936 based on plans by the architect Rudolf Christ (Basel) and his colleague Paul Bonatz (Stuttgart), two representatives of a conservative modernism. On the first floor of our Hauptbau the old masters have a fixed place. The new extension was designed by Basel based architects Emanuel Christ and Christoph Gantenbein. Nor should space for the museum’s At the same time, the indented façade is a gesture of welcome, an invitation. Photo Stefano Graziani. Finally, in 1936, the museum’s treasures found a permanent home in the present-day main building on St. Alban-Graben. The Kunstmuseum Basel ranks among the most renowned institutions of its kind in Europe and beyond. A folding mass of variegated brick constitutes the confident new addition to the Kunstmuseum Basel, designed by Swiss firm Christ & Gantenbein. Hochbau-und Planungsamt Basel-Stadt Architecture Christ & Gantenbein . The city of Basel allocated the remaining 50 million francs. Another highlight is nineteenth-century art, where the museum has sizable ensemble of paintings by Arnold Böcklin and Ferdinand Holder as well as outstanding works by Claude Monet, Camille Pissarro, and Vincent van Gogh. The idea was that it should enter into a dialogue with the main building; not to outshine it, but to enhance and empower it. “I insist upon my rooms being beautiful!” declares Willy Wonka in Roald Dahl’s 1964 children’s classic Charlie and the Chocolate Factory. Photo Julian Salinas. Kunstmuseum Basel St. Alban-Graben 16 4051 Basel Switzerland pressoffice@kunstmuseumbasel.ch www.kunstmuseumbasel.ch Facebook / Twitter / Instagram. The extension building, designed by architects Christ & Gantenbein of Basel, is linked with the main building by underground connection and is now open. Over the centuries, the steady growth of the collection and the desire to present it in keeping with evolving standards necessitated several relocations within Basel. The closed form is a "black box" of tinted concrete and black basalt stone. Swiss architects Christ & Gantenbein have been awarded first prize in a competition to design an extension to the Kunstmuseum in Basel. Like the main building’s façades, those of the new building hint at classical architecture’s standard tripartite order of base, middle, and capital. The Kunstmuseum Basel’s new building redefines a prominent location in the heart of the Basel. This order is visualized through the brickwork’s different shades of gray as well as a frieze executed as a delicate relief. Architect Planning: Herzog & de Meuron, Basel, Switzerland Structural Engineering: Walther Mory Maier, Bauingenieure AG, Basel, Switzerland Architects: Christ & Gantenbein, Basel. Together with the foyer zones, the staircase describes a free and expressive  figure in space illuminated from above by a large round skylight. With Kunstmuseum Basel's new building, a prominent location in inner-city Basel has been reclaimed. Thus it really was our commitment to special exhibitions, coupled with our anxiety to spare the galleries reserved. Kunstmuseum Basel – new building The building by Basel architects Christ & Gantenbein is imposing with its grey brick façade, its small number of large windows and its integrated LED lighting. Kunst-Depot, Henze & Ketterer Gallery, Wichtrach - 2002–2004 . But here, too, unité de doctrine prevailed—the doctrine being our shared determination to eschew the kind of faceless, nondescript, protean interiors that are currently en vogue. Founded in 1998 by Emanuel Christ and Christoph Gantenbein, and headquartered in Basel, Switzerland, the office employs a team of over 80 architects from 20 countries. It was the first time the art crowd had a chance to check out the newly expanded Kunstmuseum Basel, designed by local firm Christ & Gantenbeim. The Kunstmuseum Basel project was designed by Swiss architects Christ & Gantenbein from Basel. In the foyer, the marble flooring and galvanized steel wall cladding come together in an aesthetic whole that is expressive of both difference and harmony at once. Text description provided by the architects. Thus the galleries vary in size and in some cases are larger than those in the main building. Assembling seven centuries of (Western) art history under one roof is no mean feat, especially as many of the great collections of old masters—that of the Museo Nacional del Prado in Madrid and the Musée du Louvre in Paris, for example—remain relatively static, having added little that postdates the end of the nineteenth century. The Kunstmuseum Basel extension successfully complement the main 1930s house without overshadowing it: this is the red thread of the project, which strives at creating kinship while maintaining individuality. Donald Judd, Untitled, 1969. Both the architects and the museum attached the utmost importance to the physical, sensuous presence of the materials used for every detail, no matter how tiny, and discussed these at great length—whether or not there should be baseboards, for example, how the doorways between galleries should be articulated, what the metal fire doors and window shutters should look like. 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